Sans Superellipse Ukbez 13 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Fresno' by Parkinson, 'Hornsea FC' by Studio Fat Cat, 'Goodland' by Swell Type, 'TD Pobeda' by Tektov Dmitry Type, 'Optoisolator' by Typodermic, 'Matricule 59' by designdefontes, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, sports, industrial, futuristic, assertive, technical, retro, space-saving, high impact, modular design, signage clarity, condensed, monoline, squared, rounded corners, modular.
A tightly condensed, heavy monoline sans built from rounded-rectangle geometry. Strokes stay consistent in thickness, with superelliptical curves and blunt terminals that create a compact, blocky rhythm. Counters are narrow and often squared-off, and many joins read as clean, engineered transitions rather than calligraphic curves. Uppercase forms feel rigid and upright, while the lowercase keeps the same modular logic with simplified bowls and angular shoulders.
Well suited to short, high-impact settings such as headlines, posters, packaging, and brand marks where a compact, powerful silhouette is an advantage. It can work effectively for signage and wayfinding-style applications that benefit from a tall, condensed footprint, as well as sports or entertainment graphics that need a hard-edged, energetic voice.
The overall tone is utilitarian and punchy, with a distinctly industrial, sci‑fi edge. Its compressed stance and squared curves suggest machinery, signage, and digital-era minimalism rather than warmth or softness. The texture on a line is dense and commanding, giving text an urgent, poster-like presence.
The design appears intended to deliver maximum impact in minimal horizontal space, using a modular rounded-rect form language to create a cohesive, engineered look. It prioritizes a strong silhouette and dense typographic color, aiming for contemporary display use with an industrial or futuristic flavor.
The design leans on repeated motifs—rounded corners, vertical emphasis, and tight apertures—creating strong consistency across letters and numerals. Because interior spaces are small, the face reads best when given enough size or spacing to preserve counter clarity, especially in complex words or number strings.