Sans Faceted Rage 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Aspira' by Durotype, and 'Averta PE' and 'Averta Standard PE' by Intelligent Design (names referenced only for comparison).
Keywords: posters, headlines, packaging, titles, logos, playful, hand-cut, witty, chunky, quirky, display impact, handmade feel, graphic texture, playful tone, angular, faceted, chiseled, irregular, blocky.
A heavy, angular sans with planar, faceted outlines that replace smooth curves with clipped corners and straight segments. Strokes are broadly even, with compact counters and a slightly irregular, hand-cut rhythm that keeps repeated shapes from feeling mechanically perfect. The uppercase feels sturdy and poster-like, while the lowercase maintains a simple, single-storey construction and simplified terminals; round letters (O, C, G, Q) read as multi-sided forms rather than true ovals. Numerals follow the same chiseled geometry, with bold silhouettes and tight interior spaces that emphasize mass over delicacy.
Best suited for display typography such as posters, headlines, packaging callouts, and short title treatments where its bold, faceted silhouettes can read cleanly. It can also work for brand marks and playful signage that benefit from a handmade, cut-out feel, while longer text is likely to look heavy and busy at smaller sizes.
The faceted cuts and chunky weight give the font a crafty, energetic personality—somewhere between playful and rugged. It suggests a handmade or cut-paper sensibility, bringing a friendly, slightly mischievous tone that feels informal and attention-seeking without becoming ornamental.
The design appears intended to deliver a strong, graphic presence using chiseled, polygonal curves and slight irregularity to evoke a handcrafted look. It prioritizes character and impact over neutrality, offering a distinctive texture for expressive display applications.
The overall texture is dense due to small counters and thick joins, and the uneven facet angles add visual bounce in longer lines. Spacing appears generous enough for display settings, but the dark color and compact apertures make it read most clearly at larger sizes.