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Sans Superellipse Utdiv 7 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Miura' by DSType, 'Bizmo' by Eko Bimantara, and 'Bantat' by Jipatype (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, techy, futuristic, industrial, clean, confident, geometric system, modern branding, tech voice, display impact, ui feel, squared-round, geometric, closed apertures, blunt terminals, compact counters.


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A heavy, geometric sans with squared-round (superelliptical) curves and mostly uniform stroke weight. Letterforms rely on rounded rectangles and smooth, controlled radii, producing compact counters and relatively closed apertures. Terminals are blunt and clean, with minimal modulation; diagonals (as in A, V, W, X) stay crisp while still harmonizing with the rounded overall construction. The lowercase follows the same boxy-soft logic, with single-storey a and g, and simplified, sturdy punctuation-like details in the t and j. Numerals are similarly squarish and engineered, with the 0 and 8 built from rounded-rect loops and the 2/3 shaped with flat horizontals and softened corners.

Best suited to display applications where its geometric, rounded-rect construction can be appreciated—headlines, brand marks, product identities, and packaging. It also fits tech-forward interfaces or signage where a robust, streamlined sans is desired, particularly at larger sizes.

The overall tone reads modern and engineered—sleek, assertive, and slightly sci‑fi. Its rounded-square geometry gives it a friendly edge compared to purely angular grotesks, while the dense forms and tight apertures keep it feeling technical and controlled.

The likely intention is a contemporary geometric sans that blends strict, modular construction with softened corners for approachability. It appears designed to communicate technology and modernity while maintaining a cohesive, systematized character across the alphabet and numerals.

The design emphasizes consistent curvature and a modular rhythm, which creates a strong “system” look across caps, lowercase, and figures. In text, the large, dark shapes and compact counters make it feel punchy and high-contrast at display sizes, with a distinctly digital, UI-oriented flavor.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸