Sans Superellipse Oklaz 12 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Perihelion BB' by Blambot; 'Midnight Sans' by Colophon Foundry; 'Molde' by Letritas; 'Helvetica Now' by Monotype; 'Hafez', 'Iranica', and 'Nima' by Naghi Naghachian; and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: ui labels, app design, product branding, signage, packaging, modern, friendly, clean, techy, utilitarian, approachability, clarity, modern branding, systematic geometry, rounded, soft corners, geometric, monoline, compact.
A rounded, monoline sans built from squarish curves and superellipse-like bowls, giving many forms a softly rectangular footprint. Corners are consistently radiused and terminals are blunt rather than tapered, producing an even, steady rhythm. Curved letters (C, G, O, Q, e, c) lean toward rounded-rectangle geometry, while verticals and horizontals read straight and sturdy with minimal contrast. Proportions favor a tall lowercase with short ascenders/descenders, and the overall texture is dense yet open, with counters kept clear and simplified.
This font suits interface typography, dashboards, and product surfaces where clarity and consistency matter, especially at small-to-medium sizes. Its rounded geometry also works well for modern branding, wayfinding, and packaging that benefits from a clean but approachable voice.
The tone is contemporary and approachable, pairing a tech-minded geometric structure with softened edges. It feels practical and neutral, but the rounded-square shapes add a friendly, slightly playful warmth that keeps it from feeling austere.
The design appears intended to deliver a contemporary geometric sans with softened superellipse forms, balancing efficient readability with a distinctive rounded-square personality for digital and product-forward contexts.
The lowercase shows a compact, engineered logic (notably in a, e, s) with smooth joins and minimal stroke modulation. Figures are simple and UI-like, matching the rounded construction of the letters for a cohesive system feel.