Sans Other Seha 9 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Bloeien' by Aidan Cooke, 'Coign' by Colophon Foundry, 'Dimensions' by Dharma Type, 'Nexusbold Sans' by Ferry Ardana Putra, 'Cimo' by Monotype, and 'Robson' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, logos, titles, packaging, industrial, poster, mechanical, dramatic, retro, space-saving impact, graphic texture, stylized signage, industrial voice, condensed, geometric, angular, rectilinear, high-contrast counters.
A highly condensed, rectilinear sans with uniform stroke weight and tall proportions. Forms are built from straight verticals and sharp, faceted joins, with occasional pointed terminals and notched corners that create a cut-metal silhouette. Counters are narrow and mostly rectangular, and curves are reduced to minimal corner rounding, giving the alphabet a rigid, engineered rhythm. Numerals and punctuation follow the same narrow, vertical logic, emphasizing height and tight spacing.
Best suited for short display settings such as headlines, poster typography, title cards, logos, and bold branding moments where verticality and impact are desired. It can work effectively on packaging or signage when set at larger sizes, but dense paragraph text may lose clarity due to the tight counters and compressed construction.
The overall tone feels industrial and assertive, with a stylized, almost constructed look that reads like signage, machinery labeling, or title typography. Its angular detailing and compressed stance project intensity and speed, leaning toward retro-futurist and noir/tech atmospheres depending on context.
The design appears intended to deliver maximum presence in minimal horizontal space, using a monoline, geometric construction and sharp facets to create a distinctive, industrial display texture. Its consistent vertical rhythm suggests it was drawn to read as a strong graphic pattern as much as letterforms.
Distinctive pointed details (notably in letters like V/W/Y and some lowercase forms) add personality without becoming decorative, while the narrow internal spaces make texture quickly darken in longer lines. The design maintains a consistent modular feel across uppercase, lowercase, and figures, reinforcing a cohesive, display-driven voice.