Sans Other Seha 10 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bronkey' by Alit Design, 'Narrowband' by Image Club, 'Grublack' and 'Nugotha' by Sealoung, 'Exorts Compressed' by Seventh Imperium, and 'Bee' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, authoritative, retro, compressed, mechanical, space-saving, high impact, display emphasis, geometric construction, condensed, angular, rectilinear, high-contrast, tall caps.
A tightly condensed, rectilinear sans with tall proportions, squared counters, and a strong vertical emphasis. Strokes stay largely uniform, but many joins and terminals introduce sharp cornering and occasional stepped notches that create a chiseled, constructed feel. Curves are minimized into narrow ovals and flattened arcs, keeping letters rigid and column-like; bowls and apertures are small, producing dense interior whitespace. Spacing reads compact and efficient, and the overall rhythm forms a strong, repeating pattern of vertical bars punctuated by occasional diagonal elements in letters like K, V, W, X, and Y.
This face is best used for short, high-impact settings such as headlines, posters, logotypes, signage, and packaging where its condensed silhouette helps fit long words into narrow spaces. It can also work for title cards or editorial display lines that benefit from a rigid, industrial voice, especially when paired with a more neutral text face for body copy.
The font projects a stern, industrial tone with a distinctly retro display flavor, reminiscent of stencil-like or Art Deco–adjacent condensed lettering. Its compressed geometry and dark texture feel assertive and utilitarian, favoring impact over softness. The overall impression is mechanical and architectural, suited to bold statements and structured layouts.
The design appears intended to deliver maximum presence in minimal horizontal space through a constructed, geometric drawing approach. Its narrow, vertical rhythm and squared detailing suggest a focus on bold display typography with a mechanical, architectural character.
At text sizes the tight apertures and squared counters can reduce clarity, especially where multiple vertical strokes cluster (notably in letters like M, N, and W). It performs best when given generous tracking and ample line spacing to keep the dense texture from closing in.