Sans Superellipse Upke 3 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Clonoid' by Dharma Type, 'Akrux' by Harvester Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, ui titles, futuristic, tech, sporty, industrial, gaming, display impact, modern branding, interface styling, futuristic tone, geometric cohesion, rounded, squarish, geometric, extended, streamlined.
A heavy, extended sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and low-contrast, with broad horizontal spans and compact interior counters that read as engineered cutouts. Curves resolve into superelliptical bowls and squared-off terminals, producing a sleek, machined rhythm. The lowercase is single-storey and simplified, and the numerals follow the same rounded-square geometry for a cohesive, display-forward texture.
Best suited to headlines and short-form settings where impact matters: branding, logotypes, product names, posters, sports or esports graphics, and tech-oriented packaging. It can also work for UI titles, dashboards, and section headers where a futuristic, high-contrast-in-shape (not stroke) look is desired, but it’s less ideal for long passages or small text due to tight counters and dense letterforms.
The overall tone is modern and synthetic, evoking interfaces, motorsport branding, and sci‑fi hardware. Its wide stance and blocky softness feel assertive and energetic while staying friendly due to the rounded corners. The result is a confident, high-impact voice suited to contemporary tech and entertainment aesthetics.
The design appears intended to translate rounded-rectangle geometry into a bold, extended alphabet optimized for strong recognition at display sizes. By combining squarish bowls, softened corners, and uniform strokes, it aims for a cohesive, contemporary voice that feels both engineered and approachable.
Round forms (O, 0, 8) lean toward a squarish oval, and openings/counters tend to be small, which boosts presence but can reduce clarity at smaller sizes. Diagonals and joins are handled with crisp, angular logic, while the dot on i/j and other small details remain simple and rectangular to match the system. Spacing appears generous enough for headlines, with a strong, even color across lines.