Sans Superellipse Wago 3 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Uniwars' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sports branding, gaming ui, futuristic, techno, playful, sporty, retro, impact, modernity, ui feel, branding, display clarity, rounded, blocky, geometric, soft-cornered, compact counters.
A heavy, rounded-rectangle sans with superelliptical construction and softened corners throughout. Strokes are monolinear with broad horizontal emphasis and closed, compact counters, giving letters a dense, padded presence. Terminals are mostly squared-off with generous radiusing, and internal cut-ins (as in E, F, S, and 2/3) appear as clean horizontal notches that reinforce a modular, engineered rhythm. Curves in C, G, O, and 0 stay squarish rather than circular, while diagonals (K, V, W, X, Y, Z) are simplified into sturdy, angular joins that keep the texture even at display sizes.
Best suited to large-size settings where its chunky counters and notched joins remain clear—titles, posters, packaging callouts, and bold brand marks. It also fits interface-style graphics, esports or athletic identities, and retro-futuristic themes where a strong, geometric texture is desirable. For long-form text, its dense interiors and heavy color are more likely to work as short bursts, labels, or emphasis.
The tone is unapologetically synthetic and forward-leaning, with a friendly softness that prevents it from feeling harsh. Its chunky silhouettes and rounded geometry read as techy and game-like, suggesting dashboards, sci‑fi UI, and arcade-era branding. Overall it balances toughness and approachability, making it feel energetic rather than formal.
The design appears intended to deliver a high-impact, contemporary display voice built from rounded-rectangular geometry. By keeping contrast minimal and corners consistently softened, it aims for a cohesive, industrial-meets-friendly look that stays legible under bold styling. The repeated notch motifs and squarish curves suggest an intention to echo digital forms and modular construction.
Spacing and sidebearings appear designed for headline impact, with wide bodies and tight-looking internal whitespace that create a strong black-and-white pattern. Distinctive details include the single-storey lowercase a, the squared bowl of o/0, and the stepped, cut-out logic in numerals like 2 and 3. The lowercase j has a pronounced descender and the t is compact with a short crossbar, supporting a condensed, sign-like word shape despite the broad letterforms.