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Free for Commercial Use

Sans Superellipse Pibuz 7 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'EFCO Growers' by Ilham Herry and 'First Prize' by Letterhead Studio-VG (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logotypes, industrial, condensed, modern, utilitarian, retro-futurist, space-saving, display impact, geometric styling, signage clarity, rounded corners, rectilinear, compact, monolinear, tall.


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A condensed sans with a tall, compact silhouette and a predominantly rectilinear construction. Curves are treated as rounded-rectangle turns, producing square counters and softened corners rather than true circular bowls. Strokes are uniform and sturdy, with straight stems, flat terminals, and tight internal spaces that emphasize vertical rhythm. The lowercase shows simple, pragmatic forms (single-storey a, compact e, narrow s), while figures are similarly narrow and blocky with consistent corner rounding.

Best suited to headlines and short lines where condensed width is an advantage and the geometric corners can be appreciated. It works well for packaging, signage, labels, and branded graphics that need a compact, high-impact sans with a technical edge. In longer paragraphs it will create a dense, dark texture, so generous spacing and larger sizes help maintain clarity.

The overall tone is functional and engineered, blending a contemporary signage feel with a subtle retro-tech flavor. Its narrow, squared shapes read as efficient and assertive, with a streamlined, no-nonsense personality that suggests machinery, labeling, and control-panel aesthetics.

The design appears intended to deliver a space-saving display sans with a distinctive rounded-rect geometry, combining strong vertical rhythm with softened corners for a friendlier, more contemporary finish. It prioritizes compactness and uniform stroke weight for clarity in bold, attention-driven settings.

Round letters like O/Q/C remain notably squarish, and apertures on characters such as C, G, and S are relatively tight, reinforcing a dense texture in text. The design maintains a consistent radius on corners across the set, helping it stay coherent at display sizes where the geometry is most evident.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸