Sans Superellipse Feniy 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Fairweather' by Dharma Type, 'ITC Franklin' by ITC, 'Sharp Grotesk Latin' by Monotype, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial display, sporty, urgent, industrial, assertive, retro, impact, speed, space saving, headline emphasis, branding, condensed, oblique, compact, blocky, rounded corners.
A compact, heavily built oblique sans with tight proportions and a strong forward slant. Strokes are thick and even, with minimal modulation, and terminals are predominantly straight-cut with subtly rounded corners that soften the silhouette. Counters are small and closed-in, giving the letters a dense, weighty color, while the overall rhythm stays steady through consistent widths and simplified shapes. Uppercase forms feel squared and utilitarian; lowercase shows a two-storey g and a single-storey a, with sturdy bowls and short joins that keep the texture compact.
Best suited to display settings where impact matters: headlines, posters, promotions, and branded graphics that want a fast, energetic feel. The condensed footprint works well for space-tight layouts such as packaging callouts, scoreboard-style graphics, or cover lines, while the heavy color helps it hold up on high-contrast backgrounds.
The overall tone is forceful and kinetic, combining a machine-made solidity with a sporty, action-oriented slant. It reads as confident and slightly aggressive, with a vintage poster/advertising energy that suggests speed, impact, and emphasis.
This design appears intended to deliver maximum emphasis in a narrow measure, using a strong oblique stance and simplified, rounded-rectangle forms to create a punchy, efficient display voice. The construction prioritizes bold presence and a consistent, industrial rhythm over delicate detail.
The numerals match the compact, heavy construction; figures like 3 and 8 appear especially bold with tight inner spaces. The italic angle is pronounced enough to create motion in headlines, and the dense counters mean it benefits from generous tracking at larger sizes when clarity is critical.