Sans Faceted Liju 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Neufile Grotesk' by Halbfett and 'Daikon' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, ui labels, techno, futuristic, industrial, game ui, mechanical, sci‑fi tone, industrial feel, geometric system, display impact, interface clarity, angular, chamfered, octagonal, geometric, crisp.
A geometric sans built from straight strokes and consistent chamfered corners, replacing curves with faceted, octagonal-like turns. The strokes keep an even thickness throughout, with clean, flat terminals and a distinctly constructed feel. Counters tend toward squarish or polygonal shapes (notably in O, Q, 8, 0), and diagonals are used decisively in A, V, W, X, and Z. Overall proportions are compact and sturdy, with clear differentiation between uppercase and lowercase forms and a pragmatic, engineered rhythm in text.
Best suited to headlines, branding marks, titles, and short-to-medium UI or label copy where its faceted character can be appreciated. It works especially well for tech, gaming, and industrial themes, and for display settings such as posters, packaging callouts, and signage where crisp geometry is a feature rather than a distraction.
The faceted construction gives the face a futuristic, technical tone—evoking machinery, digital interfaces, and retro arcade or sci‑fi signage. Its sharp geometry feels deliberate and utilitarian rather than expressive or calligraphic, projecting precision and a slightly rugged, industrial edge.
The design appears intended to translate a geometric sans into a hard-edged, planar system, using chamfers to standardize corners and give every glyph a cohesive, machined silhouette. The goal seems to be a distinctive sci‑fi/industrial voice while retaining straightforward readability in both uppercase and lowercase.
Lowercase forms keep the same angular logic as the caps, with simplified shapes and minimal modulation; dots and punctuation elements appear square and direct. The numerals follow the same polygonal vocabulary, emphasizing legibility through straight segments and clipped corners. In running text, the repeated facets create a distinctive texture that reads as “built” rather than drawn.