Sans Superellipse Udray 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Flexo' and 'Flexo Soft' by Durotype, 'Midsole' by Grype, 'Revx Neue Rounded' by OneSevenPointFive, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, sports, gaming ui, futuristic, technical, sporty, dynamic, industrial, speed emphasis, tech aesthetic, impact display, modular geometry, rounded corners, oblique slant, square-oval, compact, sturdy.
A slanted geometric sans built from squarish, superelliptical contours with consistently rounded corners. Strokes are heavy and uniform, with broad, flattened curves that read like rounded rectangles rather than circles. Terminals are clean and mostly horizontal or slightly angled, and counters tend to be rectangular and tightly controlled. Proportions feel slightly condensed in the round letters, with a steady rhythm and a firm baseline; figures and capitals share the same blocky, engineered construction.
This style is best suited to short-form display settings where its strong mass and angled energy can carry: headlines, brand marks, event posters, product packaging, and sports or gaming-oriented interfaces. It also works well for technical labels and titles where a rigid, engineered geometry is desirable.
The overall tone is fast, modern, and performance-oriented, with a distinctly technical, machine-made flavor. Its oblique stance and squared curves suggest motion and precision, giving it a sporty, sci‑fi leaning voice without becoming decorative.
The likely intention is a contemporary, high-impact sans that merges rounded-rectangle geometry with an oblique, speed-forward stance. It appears designed to deliver a cohesive “engineered” look across letters and numerals, prioritizing bold clarity and a modern, tech-leaning personality.
The design keeps a consistent corner radius across letters and numerals, which reinforces a cohesive, modular look. The uppercase has a strong, poster-like presence, while the lowercase remains compact and utilitarian, maintaining the same squared-curve logic across the set.