Sans Superellipse Udrak 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'UNicod Sans' by Mostardesign and 'Sommet' by insigne (names referenced only for comparison).
Keywords: sports branding, racing graphics, tech ui, product labeling, posters, sporty, futuristic, technical, dynamic, confident, convey speed, look technical, maximize impact, stay clean, oblique, rounded, squared, compact, geometric.
This typeface is a slanted, monoline sans with a strong superelliptical construction: rounded-rectangle bowls, softened corners, and flattened curves that read as engineered rather than calligraphic. Strokes are consistently heavy with minimal contrast, and terminals are clean and blunt, often aligning to angled cutoffs that reinforce the forward-leaning motion. Counters are tight and squared-off, giving letters a compact, aerodynamic texture, while widths vary by character to maintain a brisk, utilitarian rhythm. Numerals follow the same rounded-rect geometry, with clear, sturdy silhouettes and streamlined openings.
It works especially well for sports and motorsport-style branding, equipment markings, gaming or tech-oriented interfaces, and punchy headlines that need a sense of speed. It can also serve in short UI labels and product/industrial graphics where a compact, engineered sans is desirable.
The overall tone is fast and modern, projecting a performance-minded, tech-forward attitude. Its oblique stance and squared-round forms suggest speed, efficiency, and a contemporary industrial aesthetic rather than warmth or nostalgia.
The design appears intended to deliver a high-impact, forward-leaning sans built from rounded-rectangle geometry, balancing blunt strength with smooth corners. The goal seems to be a distinctive, performance-driven voice that remains clean and legible in display applications.
The family’s visual identity is driven by consistent corner radii and boxy curves, producing a cohesive set of bowls across letters like O/Q, D, and P. The lowercase shows single-storey forms (notably a and g) and keeps apertures relatively tight, which strengthens the “compressed power” feel but benefits from generous sizing in text contexts.