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Sans Superellipse Dudov 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Miura' by DSType and 'Certo Sans' and 'Noli' by Monotype (names referenced only for comparison).

Keywords: ui, branding, signage, headlines, posters, techy, modern, streamlined, friendly, modernize, soften tech, add motion, system clarity, rounded, oblique, squarish, geometric, monoline.


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A rounded, geometric sans with an oblique slant and a distinctly squarish curve logic: bowls and counters read as softened rectangles rather than perfect circles. Strokes are consistently monoline, with broad radiused corners and flattened terminals that keep the silhouette tidy and controlled. Proportions feel slightly extended with generous apertures, and the shapes maintain a smooth, continuous rhythm across uppercase, lowercase, and figures. Numerals follow the same rounded-rectangle construction, with simple, sturdy forms that stay clear at display sizes.

Well-suited to user interfaces, product branding, and wayfinding where a modern, rounded-technical feel is desired. It performs strongly in headlines, posters, and short editorial callouts, especially where the oblique stance can add energy. The clear, sturdy numerals also make it a good fit for dashboards, labels, and tech-forward packaging.

The overall tone is contemporary and engineered, suggesting interfaces, mobility, and product design. Its rounded corners soften the techy geometry, giving it an approachable, optimistic voice rather than a stark or clinical one. The oblique posture adds a sense of motion and forward momentum.

The design appears intended to blend geometric efficiency with friendly rounding, using superellipse-like curves to create a controlled, contemporary texture. The oblique angle and streamlined terminals suggest a focus on speed, modernity, and clean system-like consistency across letters and numbers.

The superelliptical construction is especially evident in letters with bowls (such as O, D, P, and b/d), where curves transition into subtly flattened sides. Diagonals (A, V, W, X, Y) are clean and consistent, contributing to a crisp, schematic look in headlines and short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸