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Free for Commercial Use

Sans Superellipse Oglis 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Fox Kevin' by Fox7, 'Noteworthy' by Gerald Gallo, 'Funny Toons' by Indian Summer Studio, 'Alma Mater' and 'Oscar Bravo' by Studio K, and 'Robolt' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, playful, retro, friendly, chunky, quirky, display impact, friendly tone, retro feel, geometric softness, rounded, soft, bulbous, compact, bouncy.


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This typeface is built from heavy, rounded-rectangle forms with smooth, fully softened corners and largely uniform stroke thickness. Curves are broad and inflated, with narrow counters that stay open through generous apertures and rounded terminals. Proportions are compact and slightly condensed, with simple, geometric construction in letters like O, C, and D, and distinctive, blocky joins in shapes such as m, n, and w. Numerals match the same chunky, super-rounded logic, keeping a consistent, sturdy color in text.

It works particularly well for large-size applications where its rounded, chunky silhouettes can carry personality—posters, title treatments, logos, packaging, and storefront or wayfinding-style signage. For paragraphs, it’s better suited to short, high-impact lines, pull quotes, or labels where space and line spacing can be controlled.

The overall tone is upbeat and approachable, with a toy-like, mid-century display flavor. Its soft geometry and compact rhythm feel friendly rather than technical, lending a nostalgic, poster-like warmth to headings and short phrases.

The font appears intended as a bold display sans that prioritizes softness and character through super-rounded geometry, producing a compact, attention-grabbing texture. Its simplified construction and inflated curves suggest a goal of friendliness and retro-styled impact rather than neutral, long-form readability.

The design emphasizes silhouette over interior detail: counters are intentionally tight, and many letters rely on smooth exterior curves and simplified joints for recognition. In the sample text, the dense letterfit and heavy weight create a strong, even texture that reads best with comfortable tracking and ample line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸