Sans Contrasted Isda 11 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, signage, retro, industrial, sporty, techno, assertive, impact, branding, retro modern, high visibility, square, blocky, stencil-like, ink-trap, wedge-cut.
A heavy, expanded display sans with squared proportions and pronounced stroke contrast created through deep wedge cuts and notches rather than smooth modulation. Many joins are sharply chamfered, producing triangular counters and angular terminals that read almost stencil-like in places. Curves are broad and flattened, with wide bowls and rounded rectangles in letters like O and Q, while horizontals often extend as thin bars compared to the dominant vertical masses. Spacing appears generous and the overall rhythm is punchy, with compact internal apertures that stay open due to deliberate cut-ins.
Best suited to headlines and short phrases where its cut-in contrast and wide stance can read clearly—posters, packaging fronts, title cards, and bold branding marks. It can also work well for sporty or industrial-themed identities and large-format signage, while extended text blocks may feel dense due to the heavy weight and tight internal counters.
The font projects a bold, engineered attitude—part retro display, part industrial signage. Its sharp cutaways and chunky silhouettes feel sporty and competitive, with a slightly futuristic edge. The overall tone is confident and attention-seeking, built for impact rather than subtlety.
The design appears intended as a high-impact display face that mixes simple sans construction with dramatic, carved-in notches to create contrast and a distinctive silhouette. The goal seems to be maximum visibility and a memorable, branded texture that evokes engineered hardware and retro-futurist display typography.
Several glyphs show distinctive baseline and mid-stroke protrusions (notably in S, J, g, y, and some numerals), adding a mechanical, modular flavor. The numerals mirror the same geometry and contrast strategy, with angular breaks and flattened curves that keep the set visually consistent at large sizes.