Sans Superellipse Ibmiw 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Design System' by Dharma Type, 'EFCO Growers' by Ilham Herry, 'First Prize' by Letterhead Studio-VG, 'Environ' by MADType, 'Amboy' by Parkinson, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, retro, tech, bold, assertive, impact, tech branding, retro styling, graphic display, squared, rounded, blocky, geometric, compact.
A heavy, geometric sans built from squared forms with generously rounded corners and softly chamfered joins. Counters are compact and mostly rectangular, and curves tend to resolve into superellipse-like bowls rather than true circles. Strokes are uniform, terminals are blunt, and the overall rhythm is tight, producing sturdy silhouettes at display sizes. The lowercase is large relative to capitals, with simple, single-storey constructions and minimal internal detailing; figures follow the same blocky, rounded-rectangle logic for consistent color in text.
Best suited for headlines, posters, logos, packaging, and signage where bold presence and a geometric, rounded-rect style are desirable. It can also work for short UI labels or game/tech-themed graphics when used with ample size and spacing, but is less ideal for long-form text due to its dense counters and heavy texture.
The tone is forceful and utilitarian with a retro-futurist edge, evoking arcade, machinery, and engineered signage. Its chunky geometry reads confident and no-nonsense, with a playful tech flavor coming from the rounded-square construction and compact counters.
The design appears intended to deliver maximum visual impact through compact, squared-rounded letterforms and uniform stroke weight, creating a cohesive, industrial-geometric voice. Its large lowercase presence and simplified shapes suggest a focus on bold display typography that remains stable and legible across a range of headline applications.
At smaller sizes the narrow apertures and dense interior spaces can reduce differentiation between similar shapes, while at larger sizes the distinctive squared rounding becomes a defining stylistic signature. The design favors strong word shapes and impact over delicate nuance, making spacing and line breaks important for comfortable reading in longer passages.