Sans Superellipse Ibdul 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Eugene Sans' by Asenbayu, 'Midfield' by Kreuk Type Foundry, 'Sicret' by Mans Greback, 'Enaoko' by Marvadesign, 'Chandler Mountain' by Mega Type, and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, friendly, retro, punchy, playful, sturdy, impact, approachability, geometric consistency, display clarity, retro flavor, rounded, soft corners, blocky, compact, monoline.
A heavy, rounded sans with a pronounced superellipse construction: straight-sided bowls and counters that resolve into soft, squared curves. Strokes are largely monoline and terminals are blunt, producing dense, compact silhouettes and strong color in text. Apertures tend to be tight and counters are small, while joins are smooth and simplified, emphasizing geometric consistency over calligraphic detail. The lowercase has a sturdy, uniform rhythm with minimal modulation, and the figures are robust and compact with broad, flat tops and bottoms.
This style performs best in headlines, posters, branding marks, and packaging where strong, rounded geometry is desired. It can also work for signage and UI labels at larger sizes, especially when a friendly, high-impact voice is needed.
The overall tone is bold and approachable, with a retro, sign-like friendliness. Its rounded-rectangle geometry gives it a playful, toy-block character while still feeling solid and dependable, making it read as confident rather than delicate.
The design appears intended to deliver maximum impact with a soft, geometric feel—combining dense, blocky forms with rounded-square curves for a recognizable, modern-retro display presence. Consistent stroke weight and simplified detailing suggest an emphasis on clarity and visual uniformity in bold settings.
Distinctive superelliptical bowls (notably in O/C/G and the numerals) create a squared-round personality that stays consistent across the set. The heavy weight and tight internal spaces favor large sizes and short bursts of copy, where the chunky shapes and smooth corners become a feature.