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Free for Commercial Use

Sans Superellipse Hamij 6 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'Tecna' by Corradine Fonts; 'Futo Sans' by HB Font; 'Klint' by Linotype; 'Aeroko' and 'Aeroko Variable' by Monotype; 'RBNo3.1' by René Bieder; and 'Celdum', 'Nauman', and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: ui labels, app interfaces, product design, dashboards, signage, modern, techy, clean, friendly, neutral, clarity, modernization, approachability, system feel, consistency, rounded, soft corners, geometric, monoline, open counters.


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A geometric sans built from rounded-rectangle and superellipse-like curves, with monoline strokes and consistently softened corners. Forms are broad and steady, with a tall x-height that keeps lowercase prominent and readable. Terminals are mostly straight-cut with subtle rounding, and curves (C, G, O, e) maintain a uniform, squared-off roundness that gives the face a structured, engineered rhythm. Numerals follow the same rounded geometry, staying clear and compact with simple, utilitarian shapes.

Well-suited to interface typography—navigation, buttons, settings, and dashboard readouts—where clear shapes and a tall x-height help at small sizes. It also works for product branding, packaging, and wayfinding where a modern, rounded geometric voice is desired, and for headings or short paragraphs in editorial layouts that aim for a contemporary, minimal look.

The overall tone is contemporary and functional, balancing a technical, UI-oriented feel with approachable softness from the rounded corners. It reads as confident and calm rather than expressive, making it easy to pair with minimal layouts and product visuals.

The letterforms suggest an intention to provide a modern geometric sans that feels engineered and consistent, while using softened superellipse curves to reduce harshness and improve approachability. The tall lowercase and open, simple constructions indicate a focus on clarity across typical UI and display contexts.

The design emphasizes consistent curvature and stable proportions across uppercase, lowercase, and figures, producing an even color in paragraphs and strong clarity in headings. The lowercase shows straightforward construction with open apertures and minimal stylistic quirks, supporting a clean, system-like impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸