Sans Superellipse Abdad 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype, 'Francker' and 'Francker Paneuropean' by Linotype, and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: ui text, app design, product branding, wayfinding, tech editorial, tech, futuristic, clean, modern, utilitarian, geometric clarity, system consistency, modernization, ui friendliness, rounded corners, squared curves, geometric, monoline, modular.
A geometric sans with a superelliptical construction: curves resolve into rounded-rectangle bowls and softly squared counters, producing a consistent, modular rhythm. Strokes are monoline with low contrast, and terminals are predominantly blunt or gently rounded rather than tapered. The uppercase set feels compact and engineered, with wide, boxy rounds in C/O/Q and a squared, rectangular D and U; the lowercase follows the same logic with single-storey a and g, a simple r, and a narrow, straight-backed t. Numerals echo the same rounded-rect geometry, with an open, angular 2 and a squared 3, maintaining clear silhouettes at text sizes.
Well-suited for user interfaces, dashboards, and product surfaces where a clean, modern voice and stable letterforms are needed. It also works for tech-forward branding, packaging, and signage/wayfinding, and can hold up in short editorial passages when a contemporary, geometric texture is desired.
The overall tone reads contemporary and technical, with an engineered, interface-like calm. Its rounded-square geometry gives it a friendly edge while still feeling precise and synthetic, leaning toward sci‑fi and product-design aesthetics rather than humanist warmth.
The font appears designed to translate rounded-rectangle geometry into a readable, everyday sans, prioritizing consistency, clarity, and a modern tech character. Its repeated superelliptical motifs suggest an intention to feel systematized and scalable across UI and branding contexts.
The design relies on repeated corner radii and consistent inner counters, which helps maintain cohesion across mixed-case text. Several forms (notably C, G, S, and the diagonals in K, V, W, X) balance straight segments with softened corners, reinforcing a constructed, digital feel without looking overly condensed or heavy.