Sans Superellipse Abdoj 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co., 'Logik' by Monotype, 'Neue Alter' by OzType., and 'Purista' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: ui labels, signage, headlines, packaging, posters, techy, utilitarian, modern, compact, industrial, interface clarity, technical tone, geometric consistency, branding distinctiveness, squared, rounded, sturdy, clean, crisp.
A geometric sans built from rounded-rectangle and superellipse-like forms, with squared terminals softened by consistent corner radiusing. Strokes appear uniform and sturdy, producing a compact, blocky silhouette with tight-looking interior counters. Uppercase shapes are broad and simplified, while lowercase forms keep a functional, engineered rhythm; the single-storey a and g, the flat-topped t, and the angular joins in k contribute to a technical, constructed feel. Figures are similarly squared and solid, with open, straight-sided bowls and minimal curvature beyond the rounded corners.
Well suited to interface typography, app navigation, and dashboard labels where a clean, engineered look is desired. It also fits wayfinding, packaging, and bold headline settings that benefit from compact, squared letterforms with softened corners.
The overall tone is pragmatic and contemporary, suggesting digital interfaces, machinery labeling, and product-forward branding. Its softened corners temper the severity of the square construction, giving it an approachable but still technical voice.
The design appears intended to deliver a modern geometric sans with a distinctive rounded-square construction—prioritizing clarity, consistency, and a technical aesthetic while maintaining friendly corners for broad contemporary use.
Roundings are applied very consistently across the design, creating a cohesive “squircular” theme from bowls to corners and apertures. The compact counters and squared geometry help it hold shape at display sizes, while the uniform stroke behavior keeps the texture even in longer lines.