Sans Superellipse Ogkuh 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Nomad' by Coniglio Type, 'Proteina' by MendozaVergara, 'Bessemer' by Sivioco, 'Gemsbuck Pro' by Studio Fat Cat, and 'Blop77' by osialus (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, labels, industrial, condensed, authoritative, modern, utilitarian, space saving, high impact, signage clarity, geometric consistency, rounded corners, rectilinear, compact, blocky, monolinear.
A compact, tightly set sans with a strongly vertical stance and rounded-rectangle construction throughout. Strokes are consistently heavy and largely monolinear, with corners softened into small radii that give counters and bowls a superelliptical feel. Curves are restrained and often transition quickly into straight segments, producing squared-off bowls (notably in C, G, O, and 0) and a generally engineered silhouette. Apertures are modest and spacing feels economical, while terminals are blunt and uniform, reinforcing a sturdy, compressed rhythm.
Best suited to short-to-medium setting sizes where compact width and strong stroke presence help conserve space while staying legible. It works well for headlines, posters, labels, packaging, and wayfinding or product-marking style signage where a tough, modern voice is desired.
The tone is firm and utilitarian, with an industrial, signage-like clarity. Its rounded corners temper the hardness of the condensed geometry, keeping it approachable while still feeling technical and controlled. Overall it reads as confident and functional rather than expressive or delicate.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle forms to maintain consistency and soften an otherwise hard, technical construction. The emphasis on uniform stroke weight and blunt terminals suggests a practical display sans optimized for bold messaging and compact typographic color.
Figures follow the same rounded-rect geometry as the letters, with compact forms and tight internal counters; the 0 is a rounded rectangle with a small inner counter, and the 1 is a simple vertical with minimal shaping. The lowercase maintains a straightforward, engineered look with single-storey a and g, and short, efficient extenders that preserve the font’s compact texture.