Sans Superellipse Geraz 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Akzidenz-Grotesk' by Berthold, 'Bebas Neue Pro' by Dharma Type, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, app ui, sporty, dynamic, assertive, industrial, energetic, impact, speed, modernity, space saving, brand voice, slanted, condensed, blocky, rounded corners, compact.
A compact, heavy sans with a pronounced forward slant and tightly set proportions. Forms are built from thick strokes and rounded-rectangle curves, giving counters a squarish, superelliptic feel rather than perfect circles. Terminals are blunt and clean, joins are sturdy, and the overall rhythm is dense with minimal stroke modulation. Numerals and caps read like robust blocks with softened corners, while lowercase keeps a utilitarian, single-storey feel in key shapes (notably the a and g), reinforcing the streamlined construction.
Best suited to short, high-impact settings such as sports identities, event posters, bold advertising lines, and packaging callouts where the condensed width and heavy color can dominate. It can also work for UI labels or navigation at larger sizes where a strong, energetic voice is desired, but it is less ideal for long-form reading due to its dense texture and steep slant.
The tone is forceful and in-motion: it feels fast, tough, and headline-driven. The slant and massing suggest speed and urgency, while the rounded corners keep it approachable enough for contemporary branding.
Designed to deliver maximum visual punch in a compact footprint, combining a forward-leaning stance with rounded-rectangle construction for a modern, performance-oriented look. The goal appears to be strong legibility at display sizes while projecting speed and strength.
Round letters (C, O, G, Q) show flattened sides and squared-off inner spaces, emphasizing the superelliptic geometry. The diagonal letters (K, V, W, X, Y) are broad and muscular, and the numerals are especially punchy, with a strong, poster-like presence.