Sans Superellipse Femah 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Albireo' by Cory Maylett Design, 'Fester' by Fontfabric, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, urgent, assertive, modern, industrial, compact impact, speed emphasis, modern branding, space saving, oblique, condensed, rounded corners, sturdy, compact.
A heavy, compact oblique sans with rounded-rectangle construction and tightly drawn counters. Strokes stay broadly uniform, producing dense black shapes and a strong horizontal rhythm, while the slant adds forward motion. Curves and joints are softened into rounded corners rather than sharp terminals, and apertures tend to be small, giving the face a solid, blocky texture. Figures match the letterforms’ sturdy, compressed proportions, and the overall spacing reads snug and efficient.
Best suited for punchy headlines, promotional graphics, and sports or performance branding where a fast, compact word shape is desirable. It also works well for packaging callouts, labels, and UI/header treatments that need high impact in limited horizontal space.
The tone is forceful and energetic, with a distinctly athletic, action-oriented feel. Its compressed, leaning forms communicate speed and immediacy, making it read as confident and no-nonsense. The rounded geometry keeps the aggression slightly tempered, steering the voice toward contemporary and engineered rather than brutalist.
The design appears intended to deliver maximum impact per character width: a bold, compressed oblique voice with rounded, engineered forms that stay clean and contemporary. It prioritizes strong silhouette and momentum for display typography over airy readability at small sizes.
In paragraph-like settings it forms a dark, continuous typographic color, so it favors display sizes where the compact counters and tight internal spaces remain clear. The oblique angle is consistent across capitals, lowercase, and numerals, helping headlines feel unified and directional.