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Free for Commercial Use

Stencil Jony 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Laqonic 4F' by 4th february, 'Gravitica Compressed' by Ckhans Fonts, 'Grillmaster' by FontMesa, 'Recumba' by Pixesia Studio, 'Cargi' by Studio Principle Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, logos, industrial, military, authoritarian, mechanical, dramatic, stencil marking, industrial voice, compact impact, signage utility, condensed, angular, monoline, all-caps feel, high-impact.


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A condensed, monoline stencil with tall proportions and tightly controlled spacing. Strokes are straight and blocky with beveled corners and frequent vertical cut-ins that create consistent stencil bridges across stems and bowls. Counters tend to be narrow and geometric, with squared terminals and a strong vertical rhythm that keeps lines of text dense and uniform. Numerals follow the same rigid, segmented construction, emphasizing solid mass and sharp internal notches.

Best suited to large-scale display work where impact and a stenciled industrial flavor are desired—posters, title cards, packaging callouts, wayfinding, and product or crate-style labeling. It can also work for compact headlines where a tight, vertical rhythm is beneficial, while extended body text may feel heavy and visually busy due to the frequent breaks.

The overall tone is strict and utilitarian, evoking industrial labeling, equipment markings, and regimented signage. Its hard angles and abrupt interruptions add urgency and authority, producing a bold, no-nonsense voice that reads as technical and command-like.

The design appears intended to deliver a high-impact stencil aesthetic with a disciplined, engineered construction. By combining condensed proportions, consistent bridges, and beveled geometry, it prioritizes a rugged, mark-making look associated with utilitarian printing and industrial identification.

Several glyphs use asymmetric breaks and inset channels that introduce a subtle mechanical texture without adding contrast. The condensed width and heavy black footprint make the font visually dominant, while the stencil gaps help maintain character separation in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸