Sans Other Isder 6 is a regular weight, normal width, monoline, upright, short x-height font.
Keywords: headlines, branding, posters, packaging, logotypes, playful, retro, quirky, friendly, expressive, distinctive texture, display emphasis, geometric clarity, brand character, geometric, flared terminals, angular cuts, rounded bowls, high contrast details.
A geometric sans with mostly even stroke weight, rounded bowls, and frequent diagonal cut-offs that create subtly flared, wedge-like terminals. Curves are clean and circular, while joins and ends often resolve into sharp, angled points, giving the letterforms a lively, faceted rhythm. Uppercase shapes feel structured and spacious, while lowercase forms are compact with a relatively small x-height and simplified constructions; counters remain open and legible. Figures are clear and rounded, with angled entry/exit details that match the letterforms’ cut terminal motif.
Best suited to headlines and short-form typography where the angled terminals can read as intentional character. It works well for branding, packaging, posters, and logo wordmarks that want a friendly geometric base with an unconventional twist. For extended paragraphs, it will be most effective at comfortable sizes and with generous spacing to keep the distinctive terminals from visually clustering.
The overall tone is upbeat and slightly eccentric, blending mid-century display energy with a contemporary, geometric neatness. Its pointed cut terminals add a sense of motion and personality, making text feel witty and animated rather than purely neutral.
The letterforms appear designed to take a familiar geometric sans foundation and inject personality through repeated diagonal cut terminals and sharpened joins. The intent reads as a display-oriented sans that remains orderly and readable while offering a signature, stylized texture.
The design relies on consistent diagonal slicing as a unifying detail across many glyphs, which adds sparkle in headlines but becomes a prominent texture in longer lines. The combination of circular geometry and sharp finishing strokes creates a distinctive “soft-but-edgy” voice.