Sans Superellipse Otgag 20 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Guida' by Colophon Foundry, 'Noctura Georgia' by Ergibi Studio, 'Perfume' by Fenotype, 'Informational Gothic JNL' by Jeff Levine, 'Antiquel' by Lemonthe, and 'Greyspark' by Rillatype (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, ui labels, utilitarian, confident, modern, industrial, straightforward, space-saving, high impact, clarity, systematic, compact, blocky, sturdy, rounded corners, squared bowls.
This is a compact sans with thick, even strokes and a tightly controlled, vertical rhythm. Curves are built from rounded-rectangle geometry, with smooth, squared-off bowls and softened terminals that keep forms sturdy and consistent. Counters are relatively enclosed for the weight, and joins stay crisp, producing a dense, high-contrast-on-page silhouette that holds together well in blocks of text. Numerals and capitals share the same condensed, engineered feel, with rounded corners that prevent the shapes from feeling harsh.
Well-suited to headlines, subheads, posters, packaging, and signage where a compact, forceful sans is useful. It also fits UI labels, navigation, dashboards, and data-forward layouts that benefit from dense set widths and sturdy shapes. In editorial settings, it works best for short bursts of text—decks, pull quotes, and callouts—where its weight and tight proportions can be an advantage.
The font conveys a direct, no-nonsense tone with a contemporary, utilitarian confidence. Its compact stance and dark color create an assertive voice that reads as efficient and workmanlike rather than decorative. Rounded corners soften the overall impact slightly, adding a friendly, modern pragmatism.
The design appears intended to deliver strong presence in limited horizontal space while maintaining clear, consistent letterforms. Its rounded-rectangle construction suggests an aim for a cohesive, engineered look that stays legible and stable at a range of sizes, especially where bold emphasis is needed. The overall system favors uniformity and predictability over expressiveness.
The lowercase shows a single-storey "a" and "g" with simple, geometric construction, reinforcing the modern system feel. The "Q" features a distinct tail, and the numerals are similarly compact and heavy, supporting strong, consistent emphasis across alphanumerics.