Sans Superellipse Akto 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Evanston Tavern' by Kimmy Design, 'PODIUM Sharp' by Machalski, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: user interfaces, product branding, signage, headlines, dashboards, tech, modern, utilitarian, structured, friendly, systematic design, clarity, modernization, approachability, rounded corners, squared curves, geometric, compact, monoline.
A geometric sans with a monoline build and a distinctive rounded-rectangle (superellipse) construction in bowls and counters. Corners are consistently softened, producing squarish curves in letters like O, D, and Q, while straight stems and crossbars keep the rhythm crisp and orderly. Proportions feel compact and efficient, with relatively tight apertures in forms such as C and S and a generally squared-off, engineered silhouette. Numerals follow the same rounded-rect geometry, maintaining uniform stroke weight and sturdy, legible shapes.
This font suits interface typography, dashboards, and wayfinding where a clean, sturdy sans with softened corners reads clearly at a range of sizes. Its distinctive rounded-rectangle geometry also works well for tech-forward branding, packaging, and short headline settings where a modern, engineered voice is desired.
The overall tone is modern and technical, with a clean, instrument-like clarity. Its rounded corners add approachability, softening the otherwise precise, utilitarian structure and giving it a contemporary UI and product-design feel.
The design appears intended to merge geometric precision with softened, contemporary contours, creating a practical sans that feels both technical and approachable. The consistent superellipse logic across letters and numerals suggests a focus on systematic construction and visual uniformity for modern digital and display contexts.
Diagonal letters (A, K, V, W, X, Y) are drawn with straight, confident strokes that contrast neatly with the superelliptical curves elsewhere. Lowercase forms lean toward simple, single-storey constructions and minimal modulation, reinforcing a functional, systematized aesthetic.