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Free for Commercial Use

Sans Superellipse Akfu 9 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Fester' by Fontfabric, 'Navine' by OneSevenPointFive, 'URW Dock Condensed' by URW Type Foundry, and 'Gineso' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, ui labels, industrial, technical, modern, utilitarian, compact, space-saving, modernization, clarity, systematic design, squared, rounded corners, condensed, sturdy, monoline.


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This typeface is a condensed sans with sturdy, monoline strokes and a squared–rounded construction. Curves resolve into softened corners and rounded-rectangle counters, giving letters like O, C, and D a superelliptical feel rather than a purely geometric circle. Terminals are largely flat and blunt, joins are clean, and the overall rhythm is tight, with compact apertures and relatively short extenders that keep the texture dense and controlled. Figures share the same squared, engineered logic, reading clearly with uniform stroke behavior.

It works well for headlines and short blocks of text where a compact, high-impact sans is desired. The condensed footprint suits posters, packaging, and branding systems that need to fit more characters into limited width. It also fits UI labels and wayfinding-style applications where a firm, squared look communicates clarity and structure.

The overall tone is modern and utilitarian, with a technical, industrial flavor. Its compact proportions and squared rounding feel practical and efficient, suggesting signage, equipment labeling, or contemporary interface typography rather than expressive or calligraphic use.

The design intention appears to be a space-efficient, contemporary sans built from rounded-rectangle forms, balancing strict geometry with softened corners for approachability. It aims to deliver strong presence and consistent, systematized shapes that stay coherent across uppercase, lowercase, and numerals.

Several glyphs show intentionally narrowed apertures and boxy inner spaces, which increases visual punch at larger sizes and reinforces the engineered aesthetic. The design maintains consistent corner radii across rounds and counters, creating a cohesive, system-like appearance across letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸