Sans Superellipse Udmay 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bank Sans EF' by Elsner+Flake, 'Ciutadella Rounded' by Emtype Foundry, and 'Plexes Pro' by Monotype (names referenced only for comparison).
Keywords: sports branding, posters, headlines, product branding, packaging, sporty, techno, futuristic, dynamic, industrial, speed emphasis, modern branding, display impact, geometric cohesion, rounded corners, oblique slant, squared bowls, compact, sturdy.
A compact, oblique sans with heavy, low-contrast strokes and broadly rounded corners. Many counters and bowls lean toward squared, superelliptical shapes, giving letters a rounded-rectangle geometry rather than purely circular forms. Terminals are blunt and softened, with consistent corner radii and a steady, engineered rhythm across caps, lowercase, and numerals. Proportions feel slightly condensed in places, with tight apertures and an overall sturdy, monoline construction that reads clearly at display sizes.
Best suited to branding and display typography where a fast, contemporary voice is needed—sports identities, tech and automotive-style promotions, event posters, and product marks. It can also work for short UI labels or on-pack callouts when set with ample spacing, but it is most convincing in large sizes where the rounded-square geometry is clearly visible.
The overall tone is energetic and modern, with a performance-driven, sporty feel. Its rounded-rectangular forms and slanted stance suggest speed, technology, and a streamlined, industrial aesthetic rather than a neutral text voice.
The design appears intended to blend a bold, performance-forward oblique stance with friendly, rounded corners and squared counters, creating a modern sans that feels both technical and approachable. Consistent corner treatment and compact proportions prioritize a cohesive, logo-ready texture and a strong silhouette in headings.
Distinctive superelliptical shaping shows up strongly in characters like O/0 and other rounded forms, which appear more squared-off than geometric sans norms. The numeral set matches the same softened, engineered construction, helping headings and UI-like readouts feel cohesive.