Sans Superellipse Udbus 10 is a bold, normal width, low contrast, italic, normal x-height, monospaced font visually similar to 'Karben 205 Mono' by Talbot Type and 'Centima Mono', 'Decima Mono', 'Decima Mono Cyr', 'Decima Mono Pro', 'Decima Mono Round', 'Decima Pro', and 'Decima Round' by TipografiaRamis (names referenced only for comparison).
Keywords: ui labels, coding, terminals, technical docs, packaging, industrial, utilitarian, retro, technical, friendly, clarity, robustness, systematic rhythm, modernized retro, rounded, soft corners, compact, sturdy, uniform rhythm.
A slanted, monospaced sans with rounded-rectangle construction throughout. Strokes are heavy and even, with softened corners and slightly squared curves that give counters a superelliptical feel. The shapes read compact and sturdy, with broad terminals, minimal modulation, and a consistent cell-to-cell rhythm typical of fixed-width designs. Round letters like O and Q are squarish-oval, and diagonals are simple and firm, keeping the overall texture dense and controlled.
Well suited for interfaces, command-line or terminal styling, and any layout that benefits from predictable character widths. Its dense, rounded forms and pronounced slant also work for short headlines, badges, packaging copy, and product labels where a technical yet approachable tone is desired.
The tone is functional and workmanlike with a hint of retro machinery. Rounded corners keep it approachable, while the fixed-width cadence and forward slant suggest speed, tooling, and technical labeling rather than elegance or delicacy.
The design appears intended to blend fixed-width utility with a softened, modernized geometry. By combining a mechanical rhythm with rounded corners and compact superelliptical curves, it aims for clarity and robustness while avoiding a harsh, purely industrial feel.
The sample text shows strong horizontal color and clear character separation at display-to-text sizes, with a slightly condensed feel created by the tall, upright stems and compact bowls. Numerals and capitals maintain the same sturdy, rounded-square logic as the lowercase, reinforcing a consistent, system-like voice.