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Sans Superellipse Gymuz 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Dunking Grotesk' by Fridaytype, and 'Creata' by Ivan Petrov (names referenced only for comparison).

Keywords: headlines, branding, ui labels, signage, posters, modern, techy, friendly, confident, clean, clarity, modernity, approachability, geometric identity, impact, rounded, squared, geometric, compact, high-contrast-free.


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A heavy, geometric sans with superelliptical construction: round letters are drawn as rounded-rectangle forms, and straight strokes terminate in crisp, squared ends. The stroke weight is even throughout, with minimal modulation and generous corner radii that keep counters open despite the density. Uppercase proportions feel wide and stable, while the lowercase is compact with a sturdy x-height and short extenders; details like the single-storey a and g reinforce the simplified geometry. Numerals are similarly blocky and rounded, with an engineered, sign-like regularity and tight internal shapes.

Best suited to headlines, logos, packaging, and interface labels where its bold, rounded-rect geometry can do the heavy lifting. It also works well for signage and short bursts of copy, especially in modern or tech-oriented contexts where a compact, sturdy texture is desirable.

The overall tone is contemporary and purposeful, balancing a friendly softness from rounded corners with a confident, industrial solidity from the squared geometry. It reads as tech-forward and utilitarian, with a slightly playful edge that keeps it from feeling sterile.

This font appears designed to deliver a strong, modern sans voice built from rounded-rectangle primitives—prioritizing clarity, consistency, and a distinctive geometric silhouette that remains approachable. The simplified lowercase and superelliptical rounds suggest an intent to feel contemporary and functional while retaining a friendly softness.

The design emphasizes consistent curvature and rectangular rhythm, producing strong word shapes at larger sizes and a compact, efficient texture in paragraphs. Several forms lean toward squarish bowls and counters, which strengthens the geometric identity but can make dense settings feel dark if tracking is too tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸