Sans Superellipse Hamit 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Gomme Sans' by Dharma Type, 'EF Handel Sans' by Elsner+Flake, 'Nizzoli' by Los Andes, and 'Magistral' by ParaType (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui, modern, techy, friendly, confident, utilitarian, modernize, soften geometry, maximize impact, system coherence, rounded corners, square-oval forms, closed apertures, compact counters, flat terminals.
A heavy, geometric sans with square-oval construction and broadly rounded corners, giving curves a superellipse feel rather than pure circles. Strokes are monolinear with flat, clean terminals and a compact interior rhythm, especially in the round letters where counters stay relatively tight. Proportions lean horizontally expansive in many capitals, while lowercase maintains a tall, sturdy stance with short extenders and a large x-height. Overall spacing and shapes read as engineered and consistent, with minimal modulation and a smooth, blocky silhouette.
Best suited for headlines, posters, wayfinding, and brand systems where a strong, contemporary voice is needed. The sturdy shapes and rounded-rectangle curves also fit well in UI and product contexts, particularly for navigation labels, feature callouts, and interface headings.
The tone is contemporary and pragmatic, blending a friendly softness from the rounded corners with a confident, no-nonsense weight. It suggests tech interfaces, modern signage, and product branding that wants to feel approachable without becoming playful or quirky. The overall impression is clean, efficient, and slightly futuristic.
The design appears intended to deliver a robust, modern sans that balances geometric precision with softened corners for warmth. Its squared-round forms aim to create a distinctive, system-like texture that stays highly legible at large sizes and feels cohesive across letters and numerals.
Round letters and numerals favor squared-off bowls and rounded-rectangle geometry, producing a distinctive “soft-square” texture in text. The lowercase forms stay simple and functional, with single-storey shapes and closed or semi-closed apertures that emphasize solidity over openness. At display sizes the geometry feels crisp and graphic; in longer text the dense counters create a compact, high-ink color.