Sans Superellipse Otmav 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Pierce Jameson' by Grezline Studio, 'Mercurial' by Grype, and 'Forgotten Futurist' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, industrial, techy, confident, utilitarian, impact, clarity, system design, modernization, rounded corners, squared curves, compact, sturdy, blocky.
A heavy, geometric sans built from rounded-rectangle (superellipse) forms, with broad, even strokes and softly radiused corners throughout. Curves resolve into squared terminals and flattened bowls, creating a compact, engineered silhouette rather than a purely circular one. Counters are relatively tight and apertures tend to be controlled, giving letters a dense, punchy texture in both caps and lowercase. The uppercase reads wide and stable with simple construction, while the lowercase keeps straightforward shapes and short extenders for an efficient, uniform rhythm; figures match the same squared-round geometry for strong consistency.
Well-suited to headlines and short copy where strong, compact letterforms are an asset, such as posters, packaging, and branding systems that need a robust voice. It also fits signage, UI labels, and product/tech contexts where a modern, engineered geometry helps maintain clarity and consistency.
The overall tone is contemporary and functional, with a slightly futuristic, equipment-label feel. Its dense shapes and rounded corners balance friendliness with an assertive, no-nonsense presence, suggesting reliability and technical clarity rather than elegance.
The design appears intended to merge geometric efficiency with softened edges—delivering a bold, industrial presence without sharp harshness. By grounding forms in rounded-rectangle geometry and keeping details minimal, it aims for high-impact readability and a cohesive, system-ready look.
The superelliptical rounding is a defining motif: curves frequently flatten at the extremes, and many joins and terminals feel machined rather than calligraphic. This produces high impact at display sizes, while the compact counters imply it will look best with comfortable spacing and adequate size in longer settings.