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Free for Commercial Use

Sans Normal Tigy 13 is a regular weight, wide, high contrast, upright, normal x-height font visually similar to 'TA Modern Times' by Tural Alisoy (names referenced only for comparison).

Keywords: headlines, editorial, magazines, book covers, branding, formal, refined, authoritative, classic, elegance, authority, clarity, editorial tone, timelessness, crisp, sculpted, bracketed, calligraphic, stately.


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A stately, high-contrast text face with crisp, sharply drawn curves and carefully tapered joins. Strokes shift noticeably between thick verticals and thinner horizontals, producing a polished, print-oriented rhythm. The letterforms are mostly upright with smooth, rounded bowls, but many terminals finish with subtle, wedge-like cuts and small bracketed transitions that soften the geometry. Uppercase proportions feel broad and composed, while the lowercase is compact and steady, with a two-storey “a” and “g,” open apertures, and distinctly drawn numerals that maintain the same contrast logic.

This font is well suited to headlines, magazine typography, and book-cover display where its contrast and sculpted terminals can be appreciated. It can also work for brand marks and formal identity systems that need a composed, authoritative texture, especially at medium-to-large sizes.

The overall tone is editorial and formal, leaning toward traditional publishing and institutional communication. Its contrast and crisp finishing details give it a refined, confident voice suited to serious or literary contexts rather than casual or playful ones.

The design appears intended to blend a clean, modern structure with classic contrast and finishing details, creating a versatile face that feels polished and established. It aims for clarity and sophistication through controlled curves, sharp terminals, and a consistent high-contrast rhythm.

At larger sizes the sharp terminals and thin horizontals read as elegant detailing; in dense settings they create a pronounced texture with strong vertical emphasis. Round letters (like O/C/G) show smooth curvature and disciplined spacing, while diagonals (V/W/X/Y) retain a crisp, chiseled feel consistent with the rest of the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸