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Free for Commercial Use

Sans Normal Ninup 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Lost and Foundry' by Fontsmith, 'Anantason Reno' and 'Prachason Neue' by Jipatype, 'Hype vol 3' by Positype, 'RF Dewi' by Russian Fonts, 'Cobe' by Stawix, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, sturdy, friendly, modern, athletic, assertive, impact, legibility, modern utility, approachability, display strength, rounded, blocky, soft corners, compact apertures, high impact.


Free for commercial use
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A heavy, rounded sans with broad proportions and a compact, muscular rhythm. Strokes are uniform and dense, with softened corners and generous curved bowls that keep the texture smooth despite the weight. Counters and apertures are relatively tight, producing a solid, poster-like color in text. The lowercase shows simple, single‑storey forms (notably the “a” and “g”), while the uppercase is geometric and stable, with a round “O” and a clean, straightforward “G”. Numerals are similarly bold and built for visibility, with simplified interior shapes and strong horizontal terminals.

Best suited to headlines, titles, and short bursts of copy where strong presence is needed—posters, branding marks, packaging, and straightforward signage. It can also work for UI labels and callouts when used at comfortable sizes with adequate spacing to preserve counters.

The overall tone is confident and approachable: bold enough to feel forceful, but rounded details keep it friendly rather than aggressive. It reads as contemporary and pragmatic, with a sports-and-signage energy that favors clarity and impact over delicacy.

The design appears intended to deliver maximum legibility and impact through simplified, rounded geometry and a strong typographic “color.” It prioritizes bold, contemporary clarity, aiming for a versatile display voice that stays friendly and readable.

In dense settings the small openings in letters like “e”, “s”, and “a” can close visually, so it tends to perform best when given a bit of size or spacing. The wide stance and consistent stroke weight create an even, steady line that holds up well in short phrases and headline blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸