Sans Superellipse Gumaz 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Resolve Sans' by Fenotype, 'FS Industrie' by Fontsmith, 'Mazot' by Hurufatfont, 'Neue Plak' by Monotype, 'Ordina' by Schriftlabor, and 'Boxed' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, confident, friendly, pragmatic, clean, impact, clarity, modernization, approachability, systematic design, geometric, rounded, compact, sturdy, high legibility.
A heavy, geometric sans with rounded-rectangle and superellipse construction throughout. Strokes are monolinear and dense, with compact apertures and generous internal counters that stay open at display sizes. Terminals are clean and mostly squared-off but softened by rounded corners, producing a sturdy, engineered texture. Uppercase forms are wide and stable, while lowercase shows straightforward, utilitarian shapes (single-storey a and g) and a short-armed, minimal r; numerals are similarly blocky and consistent in weight.
Best suited for headlines, short copy, and brand marks where a solid, contemporary presence is needed. It can also work well for signage and interface labels that benefit from bold, high-clarity letterforms and a compact, consistent rhythm.
The overall tone is modern and no-nonsense, projecting strength and clarity without feeling harsh. Rounded geometry adds an approachable, friendly edge, making the bold voice feel confident rather than aggressive.
Likely designed to deliver a robust, contemporary sans for high-impact communication, using rounded-rect geometry to balance toughness with approachability. The restrained detailing and consistent stroke treatment prioritize clarity, repeatable shapes, and a dependable typographic color in display contexts.
Spacing and rhythm read even and compact, giving lines a strong typographic “wall” suitable for impactful settings. Distinguishing details like the simple, straight-sided i/j dots and the rounded bowls help maintain clarity in dense text, while the broad, rounded curves in letters like C, G, O, and S reinforce a cohesive superelliptical theme.