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Sans Superellipse Omlaf 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok; 'Akzidenz-Grotesk Next' by Berthold; 'Benton Sans', 'Benton Sans Pro', and 'Benton Sans Std' by Font Bureau; and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, ui labels, packaging, modern, friendly, clean, confident, techy, clarity, impact, approachability, modern branding, geometric consistency, rounded, geometric, compact, high contrast, crisp.


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This is a heavy, geometric sans with softly squared curves and rounded-rectangle counters that create a superellipse feel throughout. Strokes are largely uniform, with clean, abrupt terminals and minimal modulation, giving the letterforms a crisp, poster-ready solidity. Proportions are fairly compact with broad, stable capitals and sturdy lowercase shapes; bowls and apertures stay controlled and not overly open. Round letters (like O/C/G) read more like rounded rectangles than perfect circles, and the numerals share the same robust, simplified construction for consistent rhythm.

Best suited for display roles such as headlines, hero copy, signage, and brand marks where the bold, rounded-rect geometry can read quickly and feel distinctive. It can also work for short UI labels, buttons, and product interfaces where a sturdy, friendly sans is desired, especially at medium-to-large sizes.

The overall tone is modern and approachable, combining a friendly roundedness with an assertive, straightforward weight. It suggests contemporary tech and product branding without feeling overly sterile, and carries a confident, no-nonsense clarity that works well for emphatic messaging.

The design appears intended to deliver a contemporary geometric look with softened corners—balancing strong presence with approachability. Its simplified, consistent forms emphasize clarity and visual uniformity, aiming for a versatile display sans that feels at home in modern branding and digital contexts.

In the sample text, the dense color and compact interiors create strong impact at large sizes, while long lines begin to feel heavy if set too tight. The design’s consistent rounding and squared curves produce a cohesive, system-like personality across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸