Sans Normal Opded 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Trajan Sans' by Adobe, 'ITC Stone Sans II' by ITC, 'Provan' and 'Provan Formal' by Matteson Typographics, 'Joanna Sans Nova' by Monotype, 'Orqquidea' by PeGGO Fonts, 'Organic' by Positype, and 'Entendre' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, contemporary, approachable, approachability, impact, clarity, modernity, friendliness, rounded, soft corners, open counters, high legibility, compact joins.
A heavy, rounded sans with soft corners and a consistently full, even stroke presence. Curves are broad and smooth, giving circular letters like C, O, and G a generous, open feel, while straight-sided forms keep crisp verticals and stable horizontals. Counters are generally open and clear, and terminals tend toward blunt, gently rounded endings rather than sharp cuts. The lowercase shows single-storey constructions where applicable and maintains a compact, sturdy rhythm; numerals match the same robust, rounded construction for a cohesive text-and-display palette.
Best suited to short-to-medium setting sizes where strong presence and clarity are needed—headlines, posters, packaging, and bold brand messaging. It also works well for signage and UI callouts where a friendly, readable tone is desired.
The overall tone is friendly and energetic, with a warm, approachable presence that reads as modern and informal rather than corporate. Its soft geometry and confident weight give it a cheerful, poster-like immediacy, while still feeling orderly and readable.
Likely drawn to deliver a contemporary, approachable sans voice with strong impact, pairing rounded friendliness with the firmness needed for attention-grabbing typography. The design prioritizes clear counters and sturdy shapes to stay legible while maintaining a playful, modern character.
The bold color and rounded shaping make spacing feel tight and efficient, producing a dense, impactful texture in headlines. Angular letters (K, V, W, X, Y) are built with thick diagonals that keep the design assertive, while the round letters preserve a smooth, welcoming softness.