Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Serif Flared Hamiv 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Impara' by Hoftype, 'Amostra' by Latinotype, 'Gosent' by NamelaType, 'Levnam' by ParaType, 'Organic Pro' by Positype, 'Nylo' by René Bieder, and 'Core Sans N SC' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, logotypes, confident, retro, sporty, editorial, warm, display impact, expressive italic, brand presence, retro flavor, flared terminals, bracketed serifs, soft curves, swashy tail, rounded joins.


Free for commercial use
Customize the font name

A heavy, right-leaning serif with flared, bracketed terminals and softly sculpted curves. Strokes show moderate modulation, with swelling at joins and at the ends of stems that produces a carved, muscular rhythm rather than sharp, hairline detailing. The letterforms are broad and compactly spaced in feel, with rounded counters, sturdy bowls, and a distinctly shaped ‘Q’ tail; lowercase shows lively entry/exit strokes and pronounced italic construction. Numerals follow the same weight and curvature, keeping a consistent, display-oriented color across the set.

Best suited to display settings where weight and slant can work as a graphic element—headlines, posters, cover lines, and punchy callouts. It can also serve well in branding, packaging, and wordmarks where a retro-spirited, high-impact serif is desired, especially at medium to large sizes.

The overall tone is assertive and energetic, blending classic serif cues with a punchy, vintage-leaning italic attitude. It reads as bold and personable—more exuberant than formal—giving headlines a sense of motion and showmanship.

The design appears intended to deliver maximum impact with a confident italic gesture, using flared serif endings and moderate contrast to keep the forms readable while projecting a bold, characterful voice. Its shaping emphasizes motion and presence, suggesting a headline-first role rather than quiet text neutrality.

The flaring at terminals and the rounded, slightly bulbous stress points create a strong texture at larger sizes, while the italic slant and tight internal shapes can feel dense in long passages. The design’s distinctive ‘a’, single-storey ‘g’, and curved ‘t’ lend a clearly stylized voice that stands out in branding and titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸