Font Hero

Free for Commercial Use

Pixel Obhi 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Procerus' by Artegra, 'Churchward 69' by BluHead Studio, 'Beardman' and 'Beardman Outline' by Jafar07, 'Robson' by TypeUnion, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: game ui, arcade titles, retro posters, tech labels, scoreboards, arcade, industrial, retro, technical, brutalist, screen aesthetic, space saving, high impact, retro computing, blocky, condensed, angular, quantized, stepped.


Free for commercial use
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A compact, block-built design with hard, stepped contours and squared terminals throughout. Strokes maintain a consistent thickness and snap to a coarse grid, creating notched diagonals and chiseled curves on bowls and shoulders. Proportions are tall and tightly packed, with narrow counters and compressed sidebearings that produce a dense vertical rhythm. The lowercase echoes the uppercase structure closely, keeping forms rigid and mechanical, while numerals follow the same stacked, modular construction for an even texture in mixed settings.

Best suited to display use where its condensed, blocky forms can read as intentional styling—game menus, HUDs, title screens, posters, packaging callouts, and device-like labels. It also works well for short numeric strings in scoreboard or status-display contexts where a sturdy, high-impact texture is desired.

The overall tone is assertive and utilitarian, evoking classic arcade UI, embedded systems readouts, and retro game typography. Its rigid geometry and heavy presence feel engineered and no-nonsense, with a distinctly digital, screen-native attitude.

The design appears intended to capture a classic screen-grid aesthetic with maximum impact in minimal horizontal space. By keeping strokes uniform and contours quantized, it prioritizes a crisp, modular look that reads as digital and mechanical, especially in bold, headline-scale applications.

Many joins and inner corners show deliberate step cuts rather than smooth transitions, which increases crispness and character at display sizes. The dense counters and tight spacing can make long passages feel heavy, but it creates strong, high-contrast word shapes for short lines and headings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸