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Free for Commercial Use

Sans Normal Odlid 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'BR Candor' by Brink, 'Nicky Sans' by Digitype Studio, 'Causten' by Trustha, and 'Grold' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, friendly, playful, bold, modern, approachable, display impact, approachability, geometric clarity, brand friendliness, rounded, soft corners, compact, high contrast (internal), clean.


Free for commercial use
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This typeface uses heavy, monoline-like strokes with rounded terminals and broadly circular bowls, creating a smooth, compact silhouette. Curves are prominent and consistent (notably in C, G, O, Q, and the lowercase rounds), while straight stems stay sturdy and even, giving the design a stable, poster-ready texture. Counters are relatively tight for the weight, with clear circular apertures that keep letters readable at large sizes. The lowercase is simplified and geometric, with single-storey forms and short extenders, producing an overall dense, blocky rhythm.

Best suited for headlines, logos, packaging, and display typography where the thick strokes and rounded shapes can deliver impact. It can work well for short UI labels or signage when set with ample size and spacing, but it is most effective in bold, high-contrast applications rather than extended small-text reading.

The overall tone is friendly and upbeat, pairing confident weight with soft, rounded geometry. It reads as contemporary and approachable rather than formal, with a slightly toy-like, graphic character that feels energetic and welcoming.

The design appears intended to provide a strong, modern display voice built from simple geometric forms, balancing punchy presence with friendly softness. Its consistent stroke weight and rounded construction suggest a focus on clear shapes, quick recognition, and a contemporary, approachable brand feel.

Distinctive details include a single-storey “a” and “g,” a compact “t” with a strong crossbar, and a round “e” with a clear horizontal bar. Numerals follow the same rounded, geometric construction, staying visually consistent with the uppercase and lowercase. The heavy weight reduces interior space in smaller counters, so spacing and size choices will strongly influence clarity in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸