Hollow Other Tiwu 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Autumn Voyage' by Hanoded, 'Corporative Sans Round Condensed' by Latinotype, 'Duddy' by Letritas, 'American Auto' by Miller Type Foundry, 'Sebino Soft' by Nine Font, 'Nd Harquied' by Notdef Type, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, retro, chunky, bubbly, comic, attention, friendliness, nostalgia, texture, signage, rounded, soft, inked, inlined, puffy.
A heavy, rounded display face with inflated, pill-like strokes and softened corners throughout. Forms are mostly monoline in spirit but read as high-contrast due to consistent internal inline cutouts that trace parts of the contours, creating a hollowed, double-wall effect. Counters are generous and circular, terminals are blunt and rounded, and many joins feel slightly irregular in a hand-drawn way. The rhythm is bouncy and unevenly lively, with wide, open shapes (O, C, S) balancing denser letters (B, R, M) and numerals built from the same puffy geometry.
Best suited to short, bold statements where the inline cutouts can be appreciated—posters, headlines, product packaging, playful branding, and logo marks. It can also work for event promos or social graphics that benefit from a chunky, friendly voice, but is less ideal for long passages or small UI sizes where the internal hollows may fill in visually.
The overall tone is friendly and humorous, with a nostalgic, cartoon-signage energy. The inline hollows add a toy-like, candy-coated character that feels attention-seeking and upbeat rather than formal or technical.
The design appears intended to deliver maximum impact with soft, rounded letterforms while adding personality through hollowed inline detailing. It aims for a cheerful, display-first presence that evokes hand-lettered signage and cartoon typography without becoming overly chaotic.
The inner knockouts vary subtly from glyph to glyph, which enhances the handmade impression and adds texture at large sizes. Because the inlines are integral to the look, the design reads best when there is enough size and contrast for the cutouts to remain distinct.