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Free for Commercial Use

Hollow Other Tiwu 2 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Fraiche' by Adam Fathony, 'Artegra Soft' by Artegra, 'Knicknack' by Great Scott, 'Core Sans NR' by S-Core, 'Morl' by Typesketchbook, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).

Keywords: kids branding, posters, packaging, stickers, headlines, playful, cartoon, bubbly, cheerful, childlike, playful display, dimensional feel, friendly impact, novelty texture, rounded, blobby, soft, chunky, puffy.


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A rounded, heavy display face built from inflated, blobby forms with softened corners and generous curves. Strokes are punctuated by irregular internal cutouts and highlights that read like glossy knockouts, giving the letters a hollowed, dimensional feel. Terminals tend to be bulbous and friendly, with simplified construction and slightly uneven detailing that keeps the rhythm lively. Counters are generally open and large, while apertures and joins stay smooth and thick, prioritizing silhouette over fine detail.

This font is best suited to short display settings where its chunky silhouettes and glossy cutouts can read clearly—kids-oriented branding, playful packaging, posters, stickers, and large headlines. It can also work for merchandise graphics or event titles where an upbeat, cartoon-forward voice is desired.

The overall tone is whimsical and upbeat, evoking toy-like, candy-coated lettering with a comic sensibility. The glossy internal knockouts add a fun, tactile personality—more playful than formal—suggesting a lighthearted, approachable mood.

The design appears intended to deliver a friendly, toy-like display style with added visual flavor through irregular hollowed highlights. By combining rounded, inflated letterforms with decorative internal knockouts, it aims to feel tactile and fun while remaining legible in bold, attention-grabbing applications.

The cutout shapes vary from glyph to glyph, functioning like embedded highlights rather than consistent inline rules, which adds character but makes the texture busier at smaller sizes. Numerals match the same puffy construction and include similarly irregular interior accents for a cohesive set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸