Sans Superellipse Hudiy 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gainsborough' by Fenotype, 'NT Gagarin' by Novo Typo, 'Hemispheres' by Runsell Type, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, sporty, industrial, punchy, retro, assertive, impact, branding, signage, compactness, friendly strength, rounded corners, blocky, compact, sturdy, high contrast counters.
A heavy, block-built sans with squared proportions softened by generous rounded corners. Strokes are consistently thick with minimal modulation, creating a monoline, poster-weight texture and tight internal counters. Curves resolve into superelliptical, rounded-rectangle bowls (notably in O, Q, 0, 8) while joints stay crisp and orthogonal, giving letters a machined, modular feel. The lowercase is compact and sturdy, with short ascenders/descenders and closed, rectangular apertures that favor dense word shapes over airiness; numerals follow the same rounded-rect geometry for a uniform color.
Best suited to display work where impact and solidity matter: headlines, posters, short marketing statements, product packaging, and identity marks. It also fits sports and automotive-style branding, signage-like applications, and bold UI labels where a compact, rounded-rect aesthetic is desired.
The overall tone is bold and no-nonsense—confident, sporty, and slightly retro, like mid-century industrial signage or athletic branding. Its rounded corners keep the voice friendly and approachable while the dense weight reads strong and authoritative.
The design appears intended to deliver maximum punch with a cohesive rounded-rectangle construction, balancing an engineered, blocky structure with softened corners for approachability. It prioritizes strong silhouette and consistent rhythm for attention-grabbing display typography.
In text settings the font produces a dark, even typographic color with prominent vertical rhythm. Because apertures and counters are relatively tight, it reads best when given comfortable tracking and line spacing, especially at smaller sizes.