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Free for Commercial Use

Sans Superellipse Gigiz 13 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Moderna Condensed' by Los Andes, 'Brainy Variable Sans' by Maculinc, 'Azbuka' by Monotype, 'Cartella NF' by Nick's Fonts, and 'Boxed' and 'Boxed Round' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, industrial, sporty, friendly, retro, display impact, approachable strength, geometric clarity, signage utility, rounded, blocky, compact, geometric, clean.


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A heavy, rounded sans with a squared-off superellipse construction and largely uniform stroke thickness. Corners and terminals are softened rather than fully circular, giving forms a sturdy, molded look. Bowls and counters are compact and rectangular-leaning, with tight apertures on letters like C, S, and e. Diagonals on K, V, W, X, and Y are straight and robust, while verticals and horizontals read as stable and highly regular; overall spacing feels dense but controlled, prioritizing impact and legibility at large sizes.

This typeface is well suited to headlines, posters, and bold brand marks where compact, high-impact letterforms are desired. Its rounded, industrial geometry also works for wayfinding and signage, as well as packaging and label systems that need strong readability and a friendly but tough presence.

The font conveys a bold, no-nonsense energy with an approachable softness from its rounded geometry. It feels contemporary and utilitarian, yet with a subtle retro signage and sports-wordmark flavor. The overall tone is assertive and practical, designed to grab attention without becoming sharp or aggressive.

The design appears intended to merge geometric clarity with softened corners, creating a display-forward sans that feels engineered and modern while staying approachable. Its compact counters and sturdy rhythm suggest a focus on high-contrast presence in large typography and logotype-style applications.

Uppercase forms are especially blocky and uniform, while lowercase letters maintain the same squared-round logic, producing a consistent texture in text. Numerals are similarly compact and heavy, with rounded-rectangular bowls and strong horizontal cuts that keep them clear in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸