Sans Superellipse Duduk 2 is a regular weight, normal width, monoline, italic, normal x-height, monospaced font visually similar to 'DF Staple TXT' by Dutchfonts (names referenced only for comparison).
Keywords: code, ui labels, packaging, posters, signage, retro, quirky, casual, techy, playful, friendly utility, retro tech, grid consistency, approachable display, rounded, soft corners, superelliptical, compact, upright stress.
A rounded sans with a consistent stroke and a strong superelliptical construction: bowls and counters read like softened rectangles rather than pure circles. The italic slant is steady and uniform, giving the glyphs a forward rhythm while keeping proportions compact and controlled. Terminals are blunt with noticeably rounded corners, and curves transition into straights with minimal contrast, producing a sturdy, rubbery silhouette. The overall texture is even and grid-friendly, with letterforms that remain open and legible despite the squared-off rounding.
Well suited to short text where consistent rhythm and clear shapes matter, such as UI labels, dashboards, and code-like settings. The distinctive rounded-rect geometry also works well for posters, packaging, and signage that want a friendly, tech-leaning personality without becoming ornamental.
The design feels lightly retro and informal, mixing a typewriter-like discipline with a friendly, playful softness. Its forward lean and rounded geometry suggest motion and approachability rather than formality, making it feel upbeat and slightly quirky while still practical.
Likely intended to combine the predictability of fixed spacing with a softer, more characterful sans construction. The superelliptical curves and rounded terminals appear designed to remain robust at small sizes while projecting a playful, retro-technical voice.
Round forms such as O/Q and the bowls in B/P/R emphasize squarish curvature, and diagonals (V/W/X/Y) appear sturdy and simplified, reinforcing the geometric, engineered tone. Numerals follow the same softened-rectangular logic, keeping a cohesive voice between text and figures.