Sans Faceted Yimy 7 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Annonce' by Canada Type, 'Manufacturer JNL' by Jeff Levine, 'Neue Helvetica Paneuropean' by Linotype, and 'Racing Mark Race' by Multype Studio (names referenced only for comparison).
Keywords: headlines, sports branding, esports, posters, title cards, sporty, aggressive, futuristic, techy, action, impact, speed, display, branding, sci-fi, angular, faceted, oblique, blocky, compact counters.
A heavy, oblique sans with sharply faceted construction that replaces curves with planar cuts and chamfered corners. Strokes are broad and uniform in feel, with squared terminals and frequent diagonal shears that create a forward-leaning, aerodynamic silhouette. Counters are relatively tight and often polygonal (notably in O/Q/0/8), and the overall rhythm is wide and extended, emphasizing horizontal momentum. Lowercase forms are sturdy and geometric with simplified joins, while numerals echo the same cut-corner, industrial geometry for consistent texture in mixed settings.
Best suited to display settings such as headlines, posters, title cards, and punchy branding where the angled facets can read clearly and add energy. It works especially well for sports and esports identities, automotive or action-oriented graphics, and tech or sci‑fi themed packaging and signage where a sense of speed and toughness is desirable.
The face projects speed and impact, combining a sporty, competitive attitude with a hard-edged, tech-industrial tone. Its faceted shapes and slanted stance suggest motion, power, and a slightly militaristic or sci‑fi edge, making it feel assertive rather than neutral.
The design appears intended to deliver a high-impact, motion-forward display voice by combining an oblique stance with faceted, cut-corner geometry. Its consistent planar detailing across letters and figures suggests a focus on bold branding and titling where distinctive silhouettes and an aggressive tone matter more than quiet text neutrality.
The design leans on angled notches and clipped apexes to maintain legibility at large sizes, producing distinctive silhouettes for letters like A, S, Z, and the octagonal rounds. Spacing appears built for headline density, and the strong slant makes word shapes feel dynamic and compressed in a purposeful way.