Sans Superellipse Fenis 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Leonore' by ArimaType, 'Final Edition JNL' by Jeff Levine, 'MN Raghford' by Mantra Naga Studio, 'Hype vol 2' by Positype, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, urgent, industrial, retro, compact, space saving, attention grabbing, motion, bold branding, headline clarity, condensed, oblique, heavy, rounded, punchy.
This typeface combines heavy, condensed letterforms with a consistent rightward slant and compact spacing. Strokes are largely monolinear, with rounded-rectangle curves and softened corners that keep counters open despite the dense width. The rhythm is tight and vertical, with tall proportions, short extenders, and sturdy terminals that read cleanly at display sizes. Figures match the alphabet’s compressed stance and maintain the same bold, streamlined silhouette.
Best suited for headlines, posters, and branding where space is limited but impact is essential—such as sports identities, event promotions, and bold packaging. It also performs well in short informational lines for signage or labels, especially when a compact, high-energy voice is needed. For longer reading, it’s most effective in brief bursts (subheads, callouts, and captions) rather than dense paragraphs.
The overall tone feels fast, forceful, and utilitarian—like signage or sports graphics designed to grab attention instantly. Its condensed, slanted build suggests motion and urgency, while the rounded geometry adds a contemporary, engineered smoothness rather than a sharp or aggressive bite. The result is energetic and headline-forward with a subtle retro athletic flavor.
The design appears intended to deliver maximum presence in minimal horizontal space, pairing a pronounced slant with sturdy, rounded geometry for a modern, kinetic display voice. It prioritizes bold clarity and a cohesive, engineered silhouette, aiming for high visibility and strong brandable shapes.
The italic construction is strong enough to act as a primary style rather than a secondary emphasis, giving text blocks a forward-driving texture. Round letters stay compact and slightly squared in their curves, which helps maintain a uniform color across lines. The lowercase remains sturdy and legible, with counters that resist clogging even in tight, heavy forms.