Sans Superellipse Etgok 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Burger Honren' by IRF Lab Studio, 'Moneer' by Inumocca, 'Privilege Sign JNL' by Jeff Levine, 'Gemsbuck Pro' by Studio Fat Cat, 'Merchanto' by Type Juice, 'Buyan' by Yu Type, and 'Blop77' by osialus (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, urgent, industrial, retro, aggressive, space saving, impact, speed, branding, condensed, oblique, rounded corners, blocky, athletic.
A tightly condensed, heavy oblique sans with rounded-rectangle construction and softened corners. Strokes are broadly uniform with minimal contrast, producing dense black shapes and a compact rhythm. Counters are small and squared-off, and many joins and terminals resolve into clipped angles rather than crisp points, reinforcing a sturdy, engineered feel. The numerals and capitals keep an upright, compact footprint while the slant and tapered cuts add forward motion without introducing calligraphic modulation.
Best suited to short, high-impact settings such as headlines, posters, sports or fitness branding, product packaging, and logo wordmarks. It can also work for large-scale wayfinding or labels where condensed width is helpful, but its dense counters suggest using generous size and spacing for longer text.
The overall tone is fast, assertive, and performance-driven, evoking sports branding, motorsport graphics, and high-impact advertising. Its dense forms and forward slant read as urgent and energetic, with a retro industrial edge reminiscent of condensed display lettering on signage and packaging.
The design appears intended to deliver maximum punch in minimal horizontal space while maintaining a cohesive rounded-rect geometry. The oblique stance and clipped terminals are likely meant to communicate speed and toughness, giving designers a compact display option with a technical, athletic voice.
Round characters like O/0 are more superelliptical than circular, and diagonals in letters such as K, V, W, X, and Y feel steep and tightly fitted, emphasizing a compressed silhouette. The lowercase shows a compact, utilitarian construction with closed apertures in several forms, prioritizing impact over airiness, especially at smaller sizes.